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Sacd Billy Joel Reddit

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Billy Joel – Stranger (1977) [Reissue 1998 (2001)] {2.0 & 5.1}
PS3 Rip ISO SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz 42:41 minutes Scans included 3,33 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz 42:30 mins Scans included 867 MB
Featuring 1998’s remastering & 2.0 Stereo and 5.1 multichannel surround sound Genre: Rock

  1. Billy Joel Songs
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This, pop superstar Joel’s breakout album, came years after he first hit the charts with the novelty-ish “Piano Man.” In the meantime, the New York-based songwriter released two lackluster and stylistically confused platters that blunted interesting songs with a sound that was neither Elton mellow nor Elton attitude.

Produced by Phil Ramone, The Stranger took those who had written Joel off as a one-hit wonder by surprise (“Just the Way You Are” was among the biggest hits of 1977) and it remains a solid introduction to Joel’s restless muse at a crucial point in his career. It invited a few comparisons to Bruce Springsteen, with its prominent sax breaks, hard-edged rebel-rockers (“Only the Good Die Young”), and slice-of-life dramatics (“Scenes From an Italian Restaurant”), recounting life in a lower middle-class (Eastern Urban) setting; but Joel’s chameleonic, formalist approach to pop wasn’t to be so easily pigeonholed (Glass Houses, The Nylon Curtain, An Innocent Man…).

Billy Joel teamed with Phil Ramone, a famed engineer who had just scored his first producing hits with Art Garfunkel’s Breakaway and Paul Simon’s Still Crazy After All These Years for The Stranger, his follow-up to Turnstiles. Joel still favored big, sweeping melodies, but Ramone convinced him to streamline his arrangements and clean up the production. The results aren’t necessarily revelatory, since he covered so much ground on Turnstiles, but the commercialism of The Stranger is a bit of a surprise. None of his ballads have been as sweet or slick as “Just the Way You Are”; he never had created a rocker as bouncy or infectious as “Only the Good Die Young”; and the glossy production of “She’s Always a Woman” disguises its latent misogynist streak. Ccleaner free download for windows 10 64 bit full version with crack. Joel balanced such radio-ready material with a series of New York vignettes, seemingly inspired by Springsteen’s working-class fables and clearly intended to be the artistic centerpieces of the album. They do provide The Stranger with the feel of a concept album, yet there is no true thematic connection between the pieces, and his lyrics are often vague or mean-spirited. His lyrical shortcomings are overshadowed by his musical strengths. Even if his melodies sound more Broadway than Beatles — the epic suite “Scenes From an Italian Restaurant” feels like a show-stopping closer — there’s no denying that the melodies of each song on The Stranger are memorable, so much so that they strengthen the weaker portions of the album. Joel rarely wrote a set of songs better than those on The Stranger, nor did he often deliver an album as consistently listenable.

Tracklist:
01. Movin’ Out (Anthony’s Song)
02. The Stranger
03. Just The Way You Are
04. Scenes From An Italian Restaurant
05. Vienna
06. Only The Good Die Young
07. She’s Always A Woman
08. Get It Right The First Time
09. Everybody Has A Dream

Digitally remastered by Ted Jensen at Sterling Sound, NYC.

Sacd Billy Joel Reddit

SACD ISO

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Billy Joel Songs

FLAC 24/88,2

http://uploadgig.com/file/download/0994882ddC8D89ce/BillyJ0el1977TheStrangerReissue1998FLAC2488.2.rar
or

Billy Joel – Fantasies & Delusions (2001) {Hi-Res SACD Rip}
SACD Rip ISO / DSD / 1bit / 2.8224MHz FLAC Tracks / 24bit / 88.2kHz
Single Layer SACD Full Scans Included
Total Size: 3.06 GB (ISO) + 1.11 GB (FLAC) 3% RAR Recovery
Label: Columbia USA Cat#: CS 85397 Genre: Classical

It was pretty clear that Billy Joel had run out of steam by 1993’s River of Dreams. He had shown signs of wearing on its predecessor, Storm Front, but his trademark melodic gift disappeared on River of Dreams and his words, even performances, were bone-tired — he even called the last song “The Last Song (No More Words).” So, it was no great surprise that he did not rush to record a follow-up, and when he started murmuring toward the end of the decade that perhaps he wasn’t interested in pop music anymore, nobody who paid attention could have been surprised. And it wasn’t a surprise that he decided to turn toward classical music since, by that point, it had become a cliché for pop musicians who wanted to be taken seriously. What is a surprise is that the resulting project, Fantasies & Delusions, is pretty successful — it’s a nice collection of pleasingly modest, melodic solo piano pieces, mainly sonatas, written by Joel and performed by Richard Joo. Joel succeeds because he kept his ambitions reasonable and was smart about presentation. He didn’t compose symphonies, he wrote piano pieces and passed them off to somebody who could play them dexterously in the way they were meant to be played. It’s actually charming, since it’s possible to hear Joel diligently working within the forms of classical music while retaining the recognizable melodic flair of his pop work. These are still not pieces that you’ll wind up humming, but as pop/classical crossovers go, this is among the best in recent memory — better than McCartney’s operettas and symphonies, better than Joe Jackson’s stilted work. And it’s a hell of a lot more rewarding than River of Dreams. ― Allmusic

Additional Info:
• Released Date: September 28, 2001
• More info

Tracklist
01. Opus 3. Reverie (Villa D’Este) – 09:31
02. Opus 2. Waltz No. 1 (Nunley’s Carousel) – 06:59
03. Opus 7. Aria (Grand Canal) – 11:09
04. Opus 6. Invention in C Minor – 01:04
05. Opus 1. Soliloquy (On A Separation) – 11:26
06. Opus 8. Suite For Piano (Star-Crossed) – I. Innamorato – 07:47
07. Opus 8. Suite For Piano (Star-Crossed) – II. Sorbetto – 01:31
08. Opus 8. Suite For Piano (Star-Crossed) – III. Delusion – 03:37
09. Opus 5. Waltz No. 2 (Steinway Hall) – 07:01
10. Opus 9. Waltz No. 3 (For Lola) – 03:29
11. Opus 4. Fantasy (Film Noir) – 08:57
12. Opus 10. Air (Dublinesque) – 03:47

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